I am a part of an upcoming traveling mezzotint show, a brainchild of printmaker Aaron Coleman. Today and last Friday I worked with Derek Frankhouser to pull 21 mezzotints (an edition of 19 +two artist’s proofs). Derek is also in the show and is a budding master printmaker who held
a residency an internship at the Robert Blackburn Printmaking Workshop in 2011. Below is a record of our efforts.
My hand, blackened by hand-wiping, in front of the pinned prints. I used Charbonnel ink.
Derek laying the paper…
…and carefully pulling it off the plate after a pass.
A beautiful pull (this was my first print of the process).
A shot of the whole edition set off to the side for drying.
I’m super thankful to Derek for his help and couldn’t have pulled the entire edition (without mistakes or needing to re-do) without him. This is the also the first time I’ve been able to edition beyond 10 or 12 prints; that’s a testament to Derek’s counsel and help.
Details from Matthew Ballou’s context
Details from Nathan Sullivan’s context
Detail from Catherine Armbrust’s context
Detail from Sloane Snure Paullus’s context
Detail from Derek Frankhouser’s context
Detail from Marcus Miers’s context
I’ve got an installation up at the Craft Studio Gallery of the University of Missouri in Columbia.
I proposed the show and brought in the additional artists and their works. See below for more shots of the installations and to read our group statement. Be sure to click on each artist’s name to see more of their excellent work.
The Reception will take place February 19 at 4pm. Hope you can make it. Check back here soon for some details from the installed contexts.
Work and Installation of Context by Nathan Sullivan.
Work and Installation of Context by Derek Frankhouser.
Work and Installation of Context by Sloane Snure Paullus.
Work and Installation of Context by Catherine Armbrust.
Work and Installation of Context by Marcus Miers.
Presenting Context Group Statement
Artworks are almost always presented to viewers far removed from the circumstances of their creation. The inspirations, research, sources, methods, and background information that form the basis for all artworks are usually unavailable to the audience. This amounts to a veil of mystery surrounding the finished work, masking and focusing it. Artworks appear to have simply sprung fully formed into the world, though we know this to be false. This exhibition proposes to change that – at least in some small way – by displaying singular artworks in tandem with the ephemera that lead to their creation. Alongside completed works, artists will show some background to the art: inspiring data, evocative objects, images historical and pop cultural, as well as the more traditional sketches showing trial and error. Taken together, these artifacts will serve to illuminate the experiences artists go through to process their ideas and actions into finalized pieces of art.
Visiting Assistant Professors Matthew Ballou and Nathan Sullivan
MU Graduate students Catherine Armbrust and Sloane Snure Paullus
MU Undergraduate students Derek Frankhouser and Marcus Miers