The Latest Color Drawing Totality – Fall 2018

Kevin Frazier. Master Copy after George Condo. Oil pastel on paper, 28×22 inches, 2018.

The current crew of Color Drawing (ART_DRAW 2210) at Mizzou is doing some really nice stuff. I’ve incorporated a number of new variations of my projects, including adding in black lights, new constructed forms, and modified instructions for several Prompts and Assignments.

Michael Flinchpaugh’s Tinfoil Self Portrait Project. 24×18 inches, oil pastel on paper, 2018.

A project that I started last semester, the Tinfoil Self Portrait, has returned. This time I chose to let the students work in whatever size they chose, so I got a wide array of aspect ratios and scales.

Clara Choi’s Tinfoil Self Portrait Project. 18×30 inches, oil pastel on paper, 2018.

The Master Copy projects were quite wonderful this year, and students drew from many eras of art history. I have also encouraged students who work in Digital Storytelling, Graphic Design, or Interior Design to use significant artists from those arenas as well.

Shannon Kling. Master Copy after Leroy Neiman. 18×14 inches, oil pastel on paper, 2018.
Clara Choi. Master Copy after Elizabeth Murray. Chalk pastel on paper, 30×14 inches. 2018.
Madison Sturr. Master Copy after Alexander Ross. Oil pastel on cut paper, approximately 18×24 inches. 2018.
Stephanie Craven. Master Copy after Glenn Brown. Oil on paper, 22×30 inches, 2018.
Leah Scott. Master Copy after Vintage Movie Poster. oil on paper, 30×22 inches. 2018.

The works my students create when they look at great works of art and copy them are not mere transcriptions. In undertaking the effort to create a version of a masterwork, the students must ask themselves important questions continuously. These interrogations about composition, color, material density and structure, and a whole slew of other issues, all serve to increase the students’ visual and physical IQ.

My Color Drawing 2 students work primarily with Prompts, which are designed to take them on a journey through questioning and challenging their assumptions. Without showing you the whole track of artworks it would be hard to demonstrate their developmental trajectories, but it has been encouraging to watch. While all of my Fall 2018 Color Drawing 2 students have made some very interesting stuff, Amanda Doyle and Mitch Feyerherm, have made strange and exciting works that have made the most of the personal investigations that the Prompts are meant to encourage.

Mitch Feyerherm. Leaf Collage, Prompt 4. Leaves and adhesive on paper, 10×3 inches. 2018. Below, two other, smaller works from Prompt 4:
Amanda Doyle. Wild Woman. Collage, colored pencil, gouache, and digital drawing/painting. Dimensions variable, 2018. Below are four works by Nicole Pratte for Prompt 4, based on screenshots from videos. The pieces, in colored pencil, ink, graphite, collage on paper and acetate, explore how deformities and morphological differences change our assumptions about emotion, intelligence, and quality of life:

Overall my students have taken some amazing strides this year. I’m pleased that my own drive to meet them and challenge them has continued to be strong. Here’s to many more years!

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One thought on “The Latest Color Drawing Totality – Fall 2018

  1. I especially like the work here by Nicole Pratte. It shows a thorough comfortability with all aspects of the face. To say it takes Amazing Strides, is not for me to say, I do not know Nicole that well. I will say though that it takes some big steps. Nice big ones.

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