My work, titled Galaxy (Shell, Fecundity, Emanation), will be seen at the 6th annual MAGNITUDE 7 exhibition at Manifest coming up at the end of this month. The piece is a mezzotint print that has been embossed with a unique collograph print.
And here’s my statement about the work for the show:
Over the last two years I have become increasingly enamored with the mezzotint printmaking process. I have used mezzotint as a way to find new and different access to some of the subject matter I have used for years in my paintings and drawings. Bricks, shells, geometric forms, and bodies have all become part of my mezzotint repertoire. Those geometric forms – specifically the Platonic solid called the dodecahedron – have begun to inform my mezzotints beyond simple representation; I have started using the angles of the dodecahedron and its constituent, the pentagon, as dimensional embossments upon the mezzotint prints.
In the work I present here at MAGNITUDE 7, titled Galaxy (Shell, Fecundity, Emanation), the beautiful gradients and milky consistency mezzotint is known for are used to display a shell, spinning in an amorphous space. Yet a fine tracery of lines and angular counterpoints shifts the surface level of the image itself, creating a bas-relief. The angles are formed using a collograph print over the final mezzotint. This collograph is a unique, one-time embossment; though the edition of mezzotints is all the same, the embossment seen in each print is one of a kind.
By embedding these angles (taken directly from the dodecahedron) onto the image of the spiral form shell, I reintegrate their inherent relationship, since both the spiraling of the shell and the angles of the quintessential Platonic solid display the natural mathematical beauty of Phi, the golden ratio. While the depiction of the shell can be a visual entry point for contemplation, the angles of the subtle embossment encode a physical reality into the artifice of the image. This duality is something I am hoping to develop more and more. I want the image and the icon, the depiction and the object, the picture of the idea and the idea itself, to become manifest in these prints as I continue them.