Situation and Circumstance Overcome, Oil on Panel, 16 by 20 inches. 2003.
Eleven years ago I created this painting. Over the years many people have asked me to create copies of it for them. There are more than 15 versions of this piece scattered across the US. Now you have an opportunity to get one of your own AND help support the adoption process for two of my good friends, Aarik and Brooke Danielsen.
Detail of Situation and Circumstance Overcome.
The original piece is one of the most important artworks I’ve created. Its quality of construction, unique place in the story of my art making, and the personal significance it holds cause me to value it highly. For $400 you can have your very own version of this painting. I will donate every cent of the sale price to the Danielsens’ adoption fund.
I am taking up to 10 orders and I will deliver the finished works by July 2015. If you want to have a beautiful, evocative work of art for your home and help give a child a home they deserve, please consider ordering one here. I love the Danielsens and am excited to give anything I can to their adoption journey. If you follow my blog, you know how close adoption is to my heart. I hope you’ll give me a lot of work to do; every brushstroke will be done with love and joy, and in the knowledge that each one is making a real difference to a real person.
To find out more about the Danielsens’ adoption and learn more about how you can help, check out their blog here.
If you have questions let me know.
Detail of Situation and Circumstance Overcome.
PLEASE NOTE THAT THE SAMPLE IMAGES ABOVE ARE EXAMPLES OF THE ORIGINAL PAINTING. Copies that I create will have variation, but will maintain the overall composition, color, and general surface structure of the original, and will be created exactly to the scale of the original.
A new work of mine – oil on panel, 8.75 inches in diameter on a 9 x 9 inch panel. Click for larger view.
And the reverse of the panel…
The Resonators, Oil on Panel, 14 inches in diameter, 2011-2012. Click for detail.
I’ve got another amazing group of Color Drawing 1 students this semester. Below I’ll highlight just a few of the many who’ve distinguished themselves this year. Please click on each to see them up close.
A work in colored pencil by Marissa Valentino. About 18 by 18 inches.
A drawing by Lirong Gong. Chalk pastel, 24 by 18 inches.
Megan Schaffer has an amazing sense of material handling. Her oil pastel work here is 30 inches by 22 inches – it’s just one of 4 or 5 that are really stellar.
Carly Kurka working the chromatic shadows, 18 by 24 inches, oil pastel.
Becca Wholey’s grid work fulfilled the project parameters expertly – 16 by 16 inches, colored pencil.
It’s been a privilege to work with these students – here’s hoping they continue on with me in Color Drawing 2!
Finished this painting… click the image to see it up close.
Click the image for more information.
Hanneline Røgeberg is a great Norwegian-born painter who teaches at Rutgers. I’ve admired her work for many years, cited it in my graduate thesis for Indiana University, and poured over it in writings and classroom discussions.
Alloy, oil on canvas, 48 x 49 inches.
She really is quite a treasure. I appreciate her serious commitment to painting as a form, her philosophical engagement with that form, and her deep willingness to pursue material and application over the image as such. Below are some links that can introduce her work and words to you:
Form and Story: Narrative in Recent Painting discussion at MW Capacity (guest post text by yours truly)
Hanneline Røgeberg talk at Boston University (this talk is fantastic and I encourage you to watch it a number of times – so full!)
Her personal website
Balzac I, oil on canvas, 24 x 20 inches
Check her out, and seek out more for yourself!
A Vast Array (Dodecahedron), Oil on panel, 48 inches in diameter, 2010.
Certainty, gouache on paper, 20 inches in diameter, 2010.
This is an old favorite from 2005… painted over a dead-end from sometime in the late 90s. Lots of scraping. Click for large closeup of the whole painting.
My most recent completed work is an oil painting, 48 inches in diameter, titled Certainty. Because of the nature of the ideas involved in this piece, it was constructed in a manner that did not allow for an “up” orientation. I actually never painted it from the same picture-plane position twice. I frequently moved my model and altered my position of observation with each session.
The work has any number of “correct” reading orientations, but I’d like to settle on one or find a way to spin the work slowly so that many possible positions are presented to different viewers. Click the image below to see a large GIF of the piece. The GIF shows 14 different “stations” of the painting (give it a few minutes to load fully). What’s the best way to view it?